If yes, than check this one out. I will prioritise what I believe to be the most significant omissions and updates required for us to gain a more reasonable level of interaction with Thrill. This control offers composers and sound designers something new — the ability to design and play complex cinematic textures and builds in real time. Clusters can be built from scratch, with up to eight voices at definable intervals, fine-tune control, pan, and volume. We have become used to having at least 10 pages of controls to tweak particularly in high end libraries from developers such as Heavyocity and SoundIron. Library is much more than advertised. Thrill combines the epic power of an orchestra with the chilling depth of expert sound design, houses them within a simple performance-driven interface, and places them into the hands of a single player.
These range from purpose-made orchestral recordings featuring large string sections, brass and woodwinds, various vocals and numerous percussion sounds to synthesized sounds and various tailor-made instruments. Thrill offers 250+ diverse and editable cluster sound and voicing presets, using the many types of pitched sounds in the Thrill library, such as strings and horns. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Similarly, sound sources within the Atmosphere thrill can assigned behavior on the vertical by applying either the layer function which modulates the volume level or the X-Fade function where, gradually, one sample will replace another along the Y-Axis. Personalize every detail manually or use the randomize feature.
The Atmospheric presets are atonal and monophonic, the same sound will emanate regardless of which ley on your controller is depressed. This control offers composers and sound designers something new — the ability to design and play complex cinematic textures and builds in real time. All opinions or product functions stated are based soly on information perceived whilst using the product or gathered from official factual sources on the web. You can designate where you want the sample library installed during the installation process. Hovering over the preset list in the browser shows a little star right to the info text of a preset.
Many of the new sound sources and presets that come with Thrill Version 1. There is a positioning slider between the 2 functions where you can assign the point on the vertical where one sample will overtake the other. On this page you can adjust the volume and pan of each sound source. X intelligently crossfades the selected sounds while Y builds the energy and anxiety, as the sources and assigned parameters move through layers of tension. Please note that some of the links on the site are affiliate links, and at no additional cost to you, Sample Library Review will earn a commission if users decide to make a purchase. Native Instruments has released Thrill, a new instrument that enables the introduction of terrifying live scores to movies, games, sound installations, or theater productions.
The presets are the only means for us to get to the sounds, however there is an absolute tonne of samples that go into making up those presets. Easy to use browser if you want to manually replace a preset. Simple and intuitive to use, the control blends between sound sources, effects, the number of sonic layers, general intensity, and more, depending on the preset being used. The answer lies in the first of four screens within the dedicated Kontakt front end, which also includes browser functions for preset loading, some swish graphics that give a visual guide to the nature of the two Thrills contained within the loaded preset, and volume controls to adjust the overall balance between the two Thrills. Thrill also comes with a powerful tone cluster designer.
Appearance Thrill come as single Kontakt instrument, with a browser integrated into the main Thrill window, where we find 500 presets compiled from 963 sources made up of orchestral strings, brasses, choir, woodwinds, synthesizers, electro circuits and various other unusual instruments that the Galaxy fellows constructed specially for this purpose. The Effect window brings another set of controllers for controlling a few effect parameters: Stereo, Phaser, Drive, Mutate for convolution based effects, Space for reverb and Color for adding presence. I even made few using some interesting sources, like Voices and electro circuit. By John Walden Thrill is the latest joint venture between Galaxy Instruments and Native Instruments. Please do not spend any money on these products unless you feel you need them or that they will help you achieve your goals.
This is an update to Thrill adding sounds, effect options, usability improvements and bug fixes. Each voice within the Cluster thrill can be independently controlled with regards to volume, pan and tuning. At the base of the pad, things tend to be more muted and subdued; as you gradually move upward, the sonic tension mounts and, finally, at the top, reaches some kind of crescendo. Personalize every detail manually or use the randomize feature. It is absolutely horrifying in the best possible way.
There are also two knobs for Saturation and two additional knobs for dynamic response. There are 145+ diverse and editable cluster voicing presets. The penultinate knob is mode which predominently displays either long evolving or sampl based no suprise there for a sample library! It offers a multitude of ways to enhance, manipulate and morph the original sounds to something totally unrecognizable from the original source. Welcome to SoundBytes Magazine, a free online magazine devoted to the subject of computer sound and music production. As you can see, there is not a big array of controllers, but being such a niche oriented product I could not find anything missing. There are 250+ diverse and editable cluster sound and voicing presets.
Thrill also comes with a powerful tone cluster designer. X intelligently crossfades the selected sounds while Y builds the energy and anxiety, as the sources and assigned parameters move through layers of tension. Simple and intuitive to use, the control blends between sound sources, effects, the number of sonic layers, general intensity, and more, depending on the preset being used. This also includes the ability to re-set the parameters to the original settings if one so chooses. In the Source page you can both select and configure settings for the pairs of the raw samples that make up each Thrill. Use the X-Y pad to build your cluster in real-time and choose from three dynamic modes — Glide, Add-on, and Parallel.