As well, if you want a film with twists and turns, this one will not disappoint. If you are a fan of heist films or magic you'll enjoy it, or are a fan of particular actors, or will just enjoy it for what it is and don't want to be challenged intellectually, it's a great film. While Now You See Me may not be a grand slam, it's still entertaining, thanks to the thrills and visual style of the film. However, this mystery proves difficult to solve even with the insights of the professional illusion exposer, Thaddeus Bradley. You didn't see it coming, but not because of skillful misdirection the art of magicians, so often implied. It's unfortunate that in the filmmaker's attempts to be clever they neglected the most fundamental elements of storytelling: plot and character.
Rather, you didn't see it coming because the explanations were crooked and cooked up and merely expedient. It's imperative that the car he's apparently driving flips and tumbles several times and ultimately bursts into flames. Follow the Four Horsemen in another crazy adventure as they take to the streets of Macau to pull off the craziest stunt yet in order to expose a new threat that tried to end them for good. But, unlike Oceans Eleven, for example, it has more or less handed it to you on a plate already. Overall I was surprised at how good the story was. I felt intellectually raped, to put it bluntly.
Just Click On Download Button And Follow Steps To Download And Watch Movies Online For Free. Will they succeed again and expose this man or fail hopelessly and spend the rest of their years locked in jail? A year later, they are the Four Horsemen, big time stage illusionists who climax their sold out Las Vegas show with a bank apparently robbed for real. This, instead of providing a coherent narrative that would allow an adult audience to cheerfully maintain a willing suspension of disbelief. Character development is sorely lacking in Now You See Me, to where I never really cared about any of the characters. I felt like the director was content to dazzle us with action and effects and to take our money while demanding our total credulity on the plot points, using the angle provided by magic in a rather disingenuous way. Flashy, loud with bells and whistles and big personalities, an exciting premise. Morgan Freeman and Woody Harrelson stealing the show, of course, with Dave Franco doing a bang up job with some incredible physical acting, stunts and so forth.
The timing is of course worked out impeccably, and it's carried out with no other fatalities on the bridge. Oh, and it has quite dazzling action sequences. This was supposed to be a big blockbuster film, big back drops, epic stunts and huge crowd scenes, but it failed to deliver. All the best parts of this film are well-packaged and sold in the gripping theatrical trailer. It has something for everybody. In my mind 3 people stuck out.
Part of this is because the film is constantly shifting points of view. The twists and reversals weren't just surprising, they were completely unbelievable. Is Now You See Me as successful as the aforementioned films? All the while, apparently real traffic zooms along with presumably untrained and unprepared public going about normal business. I focus on the twists and reveal because as a heist movie, the end is the big reveal. While most of the major twists can be found out before revealed, there is still a joy in watching those twists unfold, thanks to Leterrier's Sherlock Holmes' style of visual deduction. The total impression is of a promising film idea that fell on its own very expensive sword.
And it looks like the final edit came after the director and all concerned were out of steam and over budget. This is the 2nd part of Now You See Me Series. Sure it won't win any Oscars but it takes a road at the end that nobody would see coming. The plot is convoluted as we don't know what the main characters are doing or why. I'm afraid Jesse Eisenberg didn't convince in his character and was annoying after a while, Franco rather underutilised really. Their only hope is to perform one last unprecedented stunt to clear their names and reveal the mastermind behind it all.
Four magicians each answer a mysterious summons to an obscure address with secrets inside. What a travesty to the promising themes of magic and old rivalries, treated so well in other recent films. The story follows four Vegas magicians, known as the Four Horsemen, who rob a bank in the middle of one of their shows. Yet it's just one more miracle that the Horsemen carry out with aplomb, at a frenetic pace and on-the-fly, with less than half-a-dozen total team members, empowered by an unlimited budget and a mystery benefactor. And the plot problems go much deeper than buying into death-defying scenes that require an elimination of anything random in a busy public space. However, the script often falters in one of the most crucial areas, that of character.
I'm not impossible to please at the movies and I actively wanted this to be a good time. The total feeling is that the story got killed and Frankensteined back together multiple times. After several fun scenes and a promising opening sequence that made me want to care about the characters, I discovered a film in search of a plot and utterly lacking intellectual integrity and respect for the audience. The man behind their vanishing act is none other than Walter Mabry, a tech prodigy who threatens the Horsemen into pulling off their most impossible heist yet. It makes you want to go back and see it twice to understand it better, and just like all magic tricks, some of it can't be explained and you are left with no answer but to believe that what you saw was true.
Bottom line, if you're a fan of the heist genre, you'll like this movie. I don't know what happened, but it looks like it got battered and morphed around and rewritten by multiple teams of writers. What's more, I'm a big fan of all of the raw ingredients in this film. What follows is a bizarre investigation where nothing is what it seems with illusions, dark secrets and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look, the less you see. I couldn't buy the ultimate reveal about the real identity and motives of the Mark Ruffalo character, either.